Behavior as a social construction
Identifieur interne :
000013 ( PascalFrancis/Curation );
précédent :
000012;
suivant :
000014
Behavior as a social construction
Auteurs : Charles P. Shimp [
États-Unis]
Source :
-
Behavioural processes [ 0376-6357 ] ; 2001.
RBID : Pascal:01-0438942
Descripteurs français
English descriptors
Abstract
Behavior analysis is examined from a social constructionist perspective. Constructionism is first defined and contrasted with a generic positivistic image of science. Behavior analysis, especially the matching law, is then viewed from both perspectives. The actual practice of behavior analysis (as opposed to the philosophy of radical behaviorism) more strongly resembles positivist than constructionist views. This alignment between behavior analysis and positivism emerges more sharply when positivist and constructionist perspectives are compared on the relation between science and music. Charles Rosen has identified how the classical style of musical composition and performance depended on 18th century keyboard technology, and a constructionist view sees the matching law as reflecting mid 20th century technology and culture in much the same way as it sees, say Mozart's 23rd piano concerto, as reflecting late 18th century culture. Behavior analysts, who often behave as though they see the matching law as an objective, impersonal, stable, hard, cold, incontrovertibly true fact, appear more inclined than constructionists to see a fundamental difference between the matching law and Mozart's 23rd piano concerto, to which they would attribute few if any of these characteristics. Possible implications are derived for tolerance in science.
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A08 | 01 | 1 | ENG | @1 Behavior as a social construction |
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A09 | 01 | 1 | ENG | @1 The Longer View: 20th Century Quantitative Analysis of Behavior |
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A11 | 01 | 1 | | @1 SHIMP (Charles P.) |
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A12 | 01 | 1 | | @1 KILLEEN (Peter R.) @9 ed. |
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A12 | 02 | 1 | | @1 MACHADO (Armando) @9 ed. |
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A14 | 01 | | | @1 Room 502, Department of Psychology, University of Utah, 380 S. 1530 E. @2 Salt Lake City, Utah 84112-0251 @3 USA @Z 1 aut. |
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A15 | 01 | | | @1 Department of Psychology, Arizona State University, Box 1104 @2 Tempe, AZ 85287-1104 @3 USA @Z 1 aut. @Z 2 aut. |
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C01 | 01 | | ENG | @0 Behavior analysis is examined from a social constructionist perspective. Constructionism is first defined and contrasted with a generic positivistic image of science. Behavior analysis, especially the matching law, is then viewed from both perspectives. The actual practice of behavior analysis (as opposed to the philosophy of radical behaviorism) more strongly resembles positivist than constructionist views. This alignment between behavior analysis and positivism emerges more sharply when positivist and constructionist perspectives are compared on the relation between science and music. Charles Rosen has identified how the classical style of musical composition and performance depended on 18th century keyboard technology, and a constructionist view sees the matching law as reflecting mid 20th century technology and culture in much the same way as it sees, say Mozart's 23rd piano concerto, as reflecting late 18th century culture. Behavior analysts, who often behave as though they see the matching law as an objective, impersonal, stable, hard, cold, incontrovertibly true fact, appear more inclined than constructionists to see a fundamental difference between the matching law and Mozart's 23rd piano concerto, to which they would attribute few if any of these characteristics. Possible implications are derived for tolerance in science. |
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C02 | 01 | X | | @0 002A26A |
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C03 | 01 | X | FRE | @0 Théorie @5 01 |
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C03 | 01 | X | ENG | @0 Theory @5 01 |
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C03 | 01 | X | SPA | @0 Teoría @5 01 |
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C03 | 02 | X | FRE | @0 Comportement @5 02 |
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C03 | 02 | X | ENG | @0 Behavior @5 02 |
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C03 | 02 | X | SPA | @0 Conducta @5 02 |
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C03 | 03 | X | FRE | @0 Musique @5 03 |
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C03 | 03 | X | ENG | @0 Music @5 03 |
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C03 | 03 | X | SPA | @0 Música @5 03 |
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C03 | 04 | X | FRE | @0 Méthode étude @5 04 |
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C03 | 04 | X | ENG | @0 Investigation method @5 04 |
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C03 | 04 | X | SPA | @0 Método estudio @5 04 |
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C03 | 05 | X | FRE | @0 Renforcement @5 05 |
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C03 | 05 | X | ENG | @0 Reinforcement @5 05 |
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C03 | 05 | X | SPA | @0 Reforzamiento @5 05 |
---|
C03 | 06 | X | FRE | @0 Prise décision @5 06 |
---|
C03 | 06 | X | ENG | @0 Decision making @5 06 |
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C03 | 06 | X | SPA | @0 Toma decision @5 06 |
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C03 | 07 | X | FRE | @0 Contexte @5 07 |
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C03 | 07 | X | ENG | @0 Context @5 07 |
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C03 | 07 | X | SPA | @0 Contexto @5 07 |
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C03 | 08 | X | FRE | @0 Société @5 08 |
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C03 | 08 | X | ENG | @0 Society @5 08 |
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C03 | 08 | X | SPA | @0 Sociedad @5 08 |
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C03 | 09 | X | FRE | @0 Psychologie cognitive @5 57 |
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C03 | 09 | X | ENG | @0 Cognitive psychology @5 57 |
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C03 | 09 | X | SPA | @0 Psichología cognitiva @5 57 |
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C03 | 10 | X | FRE | @0 Positivisme @4 INC @5 78 |
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C07 | 01 | X | FRE | @0 Méthodologie @5 29 |
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C07 | 01 | X | ENG | @0 Methodology @5 29 |
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C07 | 01 | X | SPA | @0 Metodología @5 29 |
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C07 | 02 | X | FRE | @0 Cognition @5 35 |
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C07 | 02 | X | ENG | @0 Cognition @5 35 |
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C07 | 02 | X | SPA | @0 Cognición @5 35 |
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N21 | | | | @1 309 |
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|
pR |
A30 | 01 | 1 | ENG | @1 Meeting of the Society for the Quantitative Analysis of Behavior (SQAB 2000) @3 Washington, DC USA @4 2000-05-26 |
---|
|
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Le document en format XML
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<front><div type="abstract" xml:lang="en">Behavior analysis is examined from a social constructionist perspective. Constructionism is first defined and contrasted with a generic positivistic image of science. Behavior analysis, especially the matching law, is then viewed from both perspectives. The actual practice of behavior analysis (as opposed to the philosophy of radical behaviorism) more strongly resembles positivist than constructionist views. This alignment between behavior analysis and positivism emerges more sharply when positivist and constructionist perspectives are compared on the relation between science and music. Charles Rosen has identified how the classical style of musical composition and performance depended on 18th century keyboard technology, and a constructionist view sees the matching law as reflecting mid 20th century technology and culture in much the same way as it sees, say Mozart's 23rd piano concerto, as reflecting late 18th century culture. Behavior analysts, who often behave as though they see the matching law as an objective, impersonal, stable, hard, cold, incontrovertibly true fact, appear more inclined than constructionists to see a fundamental difference between the matching law and Mozart's 23rd piano concerto, to which they would attribute few if any of these characteristics. Possible implications are derived for tolerance in science.</div>
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